![Quiet Conversations, Loud Implications](https://themailnewspapers.com/img/0363/0363921.jpg)
MOVIE REVIEW
You Have to Come and See It (Tenéis que venir a verla)
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Genre: Comedy, Drama
Year Released: 2022
Runtime: 1h 4m
Director(s): Jonas Trueba
Writer(s): Jonas Trueba
Cast: Itsaso Arana, Francesco Carril, Vito Sanz, Irene Escolar, Chano Domínguez
Language: Spanish with English subtitles
Where To Watch: opens exclusively at the Cinema Village in New York on July 19, 2024, and the Laemmle Royal in Los Angeles on July 26, with more cities to follow. Part of the Latin & Spanish Film Showcase; for more information, visit www.outsiderpictures.us
RAVING REVIEW: In Jonás Trueba's YOU HAVE TO COME AND SEE IT, the tapestry of human connections is elegantly unfurled against a canvas of post-pandemic recovery, portraying a narrative steeped in both simplicity and profound emotional depth. This film navigates the intricate dynamics between two couples whose rekindled friendships explore new depths of understanding and intimacy in a changed world.
Trueba's directorial approach is distinctively minimalist. It echos the stylings of the French New Wave with a strong emphasis on dialogue-driven scenes that prioritize character exploration over complex plot mechanisms. This technique enriches the viewing experience and invites the audience to peer through a distinctive lens that challenges their perceptions of personal relationships.
Yet, the film’s measured pace and dialogue-heavy scenes may not cater to all tastes. The lack of traditional conflicts and slow tempo could alienate those accustomed to more action-driven narratives. However, this deliberate pacing is crafted to draw viewers into a deeper contemplation of the themes presented, mirroring the subtleties and realities of their daily lives.
Trueba’s meticulous attention to the emotional discourse of his characters elevates YOU HAVE TO COME AND SEE IT into a profound exploration of resilience and vulnerability. The dialogues, rich with existential queries and introspective reflections, serve as a narrative device and a window into the characters' souls. Trueba crafts these interactions with a sensitivity that captures the essence of human fragility and strength, making every conversation a piece of the emotional puzzle that the film assembles. This narrative choice highlights the director’s ability to transform mundane moments into a reflective mirror for the audience, inviting them to question and empathize with the unfolding human dramas. As the film navigates through its scenes, Trueba’s use of close-ups and long takes intensifies the intimacy of the conversations, pulling the viewer closer into the characters' personal spaces thereby enhancing the film's emotional resonance with the audience.
Addressing disillusionment and the recalibration of life's priorities in the aftermath of a global pandemic, the film integrates subtle references to the pandemic—mask-wearing shifts in professional life—which anchor its narrative in a relatable and timely context.
YOU HAVE TO COME AND SEE IT transcends the traditional film experience by offering a meditative reflection on life’s transient nature. With compelling performances from Itsaso Arana as Elena, Vito Sanz’s portrayal of Daniel, Francesco Carril’s Guillermo, and Irene Escolar's performance as Susana, Trueba's work is not merely to be watched but experienced and reflected upon. This film is a reminder of the power of subtle storytelling and the importance of reconnecting in an ever-evolving world.
This cinematic experience is not just a movie but an invitation to reflect, challenge, and comfort its viewers, encouraging them to reconsider their realities in a new light. It is a must-watch for those who value films that entertain, provoke thought, and stir deep emotions.
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[photo courtesy of OUTSIDER PICTURES]
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